Throughline, 2024. Oil, dye, and graphite on sewn linen with bowed and beveled pine; 16.5 × 23.5 × 2 inches.
After Addison, 2024. Dye, bleach, acrylic medium, and graphite on sewn linen with bowed white oak and beveled pine; 38 × 250 × 2.5 inches.
Side view, After Addison
Before, Between, 2024. Dye, oil, and graphite on sewn linen with marble, granite, bowed white oak, and beveled pine; 51 × 36 × 4 inches.
Side view/detail, Before, Between
Red Herring, 2024. Oil, acrylic, bleach, and graphite on linen with bowed white oak and beveled pine; 61.5 × 40.5 × 3.75 inches.
Side view/detail, Red Herring
Veil, 2024. Oil, dye, and conte on sewn linen with beveled pine; 16 × 23 × 1 inches.
Break of Day (yellow rise), 2024. Oil, graphite, and dye on sewn linen with bowed white oak and beveled pine; 48 × 58.5 × 3.5 inches.
Detail, Break of Day (yellow rise)
Tomorrow Will Be Different, 2024. Oil, dye, bleach, graphite, and colored pencil on linen with beveled pine; 49 × 58.5 × 1 inches.
Open Book, 2024. Dye, bleach, graphite, and oil on sewn linen with bowed and beveled pine; 23 × 16.5 × 2 inches.
Granite and Rainbows, 2024.Oil, acrylic, dye, and graphite on sewn linen with marble, bowed white oak, and beveled pine; 50.5 × 34 × 2.5 inches.
Partings, 2024. Oil, acrylic, graphite, dye, and bleach on sewn linen and canvas with beveled pine 96 x 76 x 4 inches. The canvas bows outwards in a convex manner.
Imartings, 2024; dye, bleach, acrylic, graphite, marble, and oil on sewn canvas and linen with bowed and beveled pine, 52 x 62 x 3 inches. The canvas bows outwards in a convex manner.
Side view, Impartings
Detail, Impartings
New Field, 2024; oil, acrylic, dye, and graphite on sewn linen with bevleled and bowed pine. 50 x 40 x 2.5 inches. The canvas bows outwards in a convex manner.
Collector, 2024; oil acrylic, dye, bleach, and graphite on sewn linen with marble and beveled pine., 46 x 32 x 2.5 inches. The canvas bows outwards in a convex manner.
To Hold a Stone, 2024; dye, bleach, oil, and graphite on sewn linen with acrylic transfer on marble stone, 69 x 43 x 3.5 inches. The canvas bows outwards in a convex manner.
Hive Rise, 2024; oil, acrylic, bleach, dye, and graphite on linen with bowed and beveled pine, 43 x 30 x 3 inches. The canvas bows outwards in a convex manner.
Side view, Hive Rise
Rime, 2024; dye, bleach, graphite, and oil on linen with bowed and beveled pine, 44 x 31 x 3 inches. The canvas bows outwards in a convex manner.
Crow with Pour (after Hartley), 2024; Dye, bleach, graphite, acrylic, and oil on linen with beveled and bowed pine, 42 x 29 x 3 inches. The canvas bows outwards in a convex manner.
Side view, Crow with Pour (After Hartley)
Crossing, 2024; Oil, dye, and bleach on sewn linen with beveled pine. The canvas bows outwards in a convex manner. 23 x 16 x 2.5 inches
Side view, Full Sea.
Full Sea, 2023. Dye, bleach, oil, and graphite on sewn linen with beveled and bowed pine. 23.5 x 17.5 x 2 inches. This painting bows in a convex manner on a built wooden structure.
Side view, Crossing
World of Echo, 2024. Acrylic, oil, graphite, and marble on linen with beveled pine. 50 x 59 x 1 inch.
Yellow Rise, 2024. Dye, graphite, and oil on sewn linen with beveled and bowed pine. 50 x 59 x 3.5 inches.
Only / yet / much, 2024. Dye, bleach, oil, graphite, and marble on linen with beveled and bowed pine. 49.5 x 60 x 3.25 inches.
Side view, Only / yet / much
Hedge, 2024; dye, bleach, acrylic, oil, and graphite on sewn linen with beveled pine, 16.5 x 24 x 1.5 inches.
Limited Mobility, 2024; dye, oil, and graphite on linen with beveled pine, 24 x 16.5 x 1 inch.
Stacks, 2024; oil, acrylic, bleach, and dye on sewn linen with bowed and beveled pine, 23.5 x 17 x 3 inches.
March 2024 studio
Installation view at Registered, White Columns, NY, NY with Michaela Bathrick, Ali Bonfils, Joseph Brock, Donyel Ivy-Royal, and Ryan Strochinsky curated by Brittany Adeline King and Violet Saxon
Installation view at Registered, White Columns, NY, NY with Michaela Bathrick, Ali Bonfils, Joseph Brock, Donyel Ivy-Royal, and Ryan Strochinsky curated by Brittany Adeline King and Violet Saxon
Installation view at Registered, White Columns, NY, NY with Michaela Bathrick, Ali Bonfils, Joseph Brock, Donyel Ivy-Royal, and Ryan Strochinsky curated by Brittany Adeline King and Violet Saxon
Throughline, 2024. Oil, dye, and graphite on sewn linen with bowed and beveled pine; 16.5 × 23.5 × 2 inches.
After Addison, 2024. Dye, bleach, acrylic medium, and graphite on sewn linen with bowed white oak and beveled pine; 38 × 250 × 2.5 inches.
Side view, After Addison
Before, Between, 2024. Dye, oil, and graphite on sewn linen with marble, granite, bowed white oak, and beveled pine; 51 × 36 × 4 inches.
Side view/detail, Before, Between
Red Herring, 2024. Oil, acrylic, bleach, and graphite on linen with bowed white oak and beveled pine; 61.5 × 40.5 × 3.75 inches.
Side view/detail, Red Herring
Veil, 2024. Oil, dye, and conte on sewn linen with beveled pine; 16 × 23 × 1 inches.
Break of Day (yellow rise), 2024. Oil, graphite, and dye on sewn linen with bowed white oak and beveled pine; 48 × 58.5 × 3.5 inches.
Detail, Break of Day (yellow rise)
Tomorrow Will Be Different, 2024. Oil, dye, bleach, graphite, and colored pencil on linen with beveled pine; 49 × 58.5 × 1 inches.
Open Book, 2024. Dye, bleach, graphite, and oil on sewn linen with bowed and beveled pine; 23 × 16.5 × 2 inches.
Granite and Rainbows, 2024.Oil, acrylic, dye, and graphite on sewn linen with marble, bowed white oak, and beveled pine; 50.5 × 34 × 2.5 inches.
Partings, 2024. Oil, acrylic, graphite, dye, and bleach on sewn linen and canvas with beveled pine 96 x 76 x 4 inches. The canvas bows outwards in a convex manner.
Imartings, 2024; dye, bleach, acrylic, graphite, marble, and oil on sewn canvas and linen with bowed and beveled pine, 52 x 62 x 3 inches. The canvas bows outwards in a convex manner.
Side view, Impartings
Detail, Impartings
New Field, 2024; oil, acrylic, dye, and graphite on sewn linen with bevleled and bowed pine. 50 x 40 x 2.5 inches. The canvas bows outwards in a convex manner.
Collector, 2024; oil acrylic, dye, bleach, and graphite on sewn linen with marble and beveled pine., 46 x 32 x 2.5 inches. The canvas bows outwards in a convex manner.
To Hold a Stone, 2024; dye, bleach, oil, and graphite on sewn linen with acrylic transfer on marble stone, 69 x 43 x 3.5 inches. The canvas bows outwards in a convex manner.
Hive Rise, 2024; oil, acrylic, bleach, dye, and graphite on linen with bowed and beveled pine, 43 x 30 x 3 inches. The canvas bows outwards in a convex manner.
Side view, Hive Rise
Rime, 2024; dye, bleach, graphite, and oil on linen with bowed and beveled pine, 44 x 31 x 3 inches. The canvas bows outwards in a convex manner.
Crow with Pour (after Hartley), 2024; Dye, bleach, graphite, acrylic, and oil on linen with beveled and bowed pine, 42 x 29 x 3 inches. The canvas bows outwards in a convex manner.
Side view, Crow with Pour (After Hartley)
Crossing, 2024; Oil, dye, and bleach on sewn linen with beveled pine. The canvas bows outwards in a convex manner. 23 x 16 x 2.5 inches
Side view, Full Sea.
Full Sea, 2023. Dye, bleach, oil, and graphite on sewn linen with beveled and bowed pine. 23.5 x 17.5 x 2 inches. This painting bows in a convex manner on a built wooden structure.
Side view, Crossing
World of Echo, 2024. Acrylic, oil, graphite, and marble on linen with beveled pine. 50 x 59 x 1 inch.
Yellow Rise, 2024. Dye, graphite, and oil on sewn linen with beveled and bowed pine. 50 x 59 x 3.5 inches.
Only / yet / much, 2024. Dye, bleach, oil, graphite, and marble on linen with beveled and bowed pine. 49.5 x 60 x 3.25 inches.
Side view, Only / yet / much
Hedge, 2024; dye, bleach, acrylic, oil, and graphite on sewn linen with beveled pine, 16.5 x 24 x 1.5 inches.
Limited Mobility, 2024; dye, oil, and graphite on linen with beveled pine, 24 x 16.5 x 1 inch.
Stacks, 2024; oil, acrylic, bleach, and dye on sewn linen with bowed and beveled pine, 23.5 x 17 x 3 inches.
March 2024 studio
Installation view at Registered, White Columns, NY, NY with Michaela Bathrick, Ali Bonfils, Joseph Brock, Donyel Ivy-Royal, and Ryan Strochinsky curated by Brittany Adeline King and Violet Saxon
Installation view at Registered, White Columns, NY, NY with Michaela Bathrick, Ali Bonfils, Joseph Brock, Donyel Ivy-Royal, and Ryan Strochinsky curated by Brittany Adeline King and Violet Saxon
Installation view at Registered, White Columns, NY, NY with Michaela Bathrick, Ali Bonfils, Joseph Brock, Donyel Ivy-Royal, and Ryan Strochinsky curated by Brittany Adeline King and Violet Saxon