
Mirror, 2025. Dye, oil, and graphite on sewn linen and canvas with bowed oak, beveled pine, marble, acrylic inkjet transfer, and granite, 49 x 34.5 x 4 inches. The canvas bows outwards in a convex manner.

Side view, Mirror

Your Heart Is Not a Stone, 2025. Dye, oil, and graphite on sewn linen and polyester with marble and beveled pine, 45.5 x 33 x 1.5 inches.

Side view, Your Heart Is Not a Stone

Trace Space, 2025. Dye, oil, and graphite on sewn linen with beveled and bowed pine, 22 x 15.5 x 2 inches. The canvas bows outwards in a convex manner.

From the Steep Slope, 2025. Dye, oil, and graphite on sewn linen and polyester with bowed oak, beveled pine, and marble, 63.5 x 43.5 x 4 inches. The canvas bows outward in a convex manner.

Detail, From the Steep Slope

Installation view, Reincarnations of Painting at Praise Shadows, Brookline, MA (Dan Watkins Photography)

Installation view of Reincarnations of Painting with Tomashi Jackson and Susan Weil & José Betancourt at Praise Shadows, Brookline, MA (Dan Watkins Photography)

Installation view, Reincarnations of Painting at Praise Shadows, Brookline, MA (Dan Watkins Photography)

Silent Reader, 2025. Dye, oil, and graphite on sewn linen with beveled pine, 22.5 x 15.5 x 1 inches.

Landings, 2025. Oil, acrylic, and graphite on sewn linen with bowed and beveled pine, 23.5 x 16 x 1.5 inches. The canvas bows outward in a convex manner.

Side view, Landings

As the Crow Flies, 2025. Oil, acrylic, and graphite on linen with bowed oak and beveled pine, 43 x 49 x 4 inches. This painting bows outwards in a convex manner.

Side view, As the Crow Flies

Hour, 2025. Oil, graphite, and conte on dyed linen with bowed oak and beveled pine, 20 x 16.5 x 2 inches, 2025

Drumlin, 2025. Oil, acrylic, and graphite on dyed and sewn canvas with marble, bowed oak, and beveled pine, 68 x 41 x 3 inches. The canvas bows outwards in a convex manner.

Side view, Drumlin

Soft Fact, 2025. Oil and graphite on linen with bowed oak and beveled pine, 39.5 x 25 x 3 inches. This painting bows outwards in a convex manner.

Side view, Soft Fact

Dune, 2025. Oil and graphite on sewn linen and polyester with marble and beveled pine, 52.5 x 31 x 3 inches.

Side view/detail, Dune

New Century Turning Curve, 2025. Oil, acrylic, graphite, and dye on sewn canvas and polyester with marble, bowed oak, and beveled pine, 65 x 38 x 3 inches. This painting bows outwards in a convex manner.

Detail/side view, New Century Tuning Curve

Ear to the Ground, 2025. Oil and graphite on dyed, sewn linen with bowed oak and beveled pine, 40.5 x 49 x 3 inches. This painting bows outward in a convex manner.

Tharp Trace (II), 2025. Oil and graphite on dyed, sewn linen with marble, bowed oak, and beveled pine, 46.5 x 60 x 4 inches. This painting bows outward in a convex manner.

Side view, Tharp Trace (II)

Ochre Signal, 2025. Oil and graphite on sewn canvas with beveled pine, 58 x 38 x 1 inches.

Side view, Ochre Signal

Little Shadow, 2025. Oil, dye, bleach and graphite on canvas with beveled and bowed pine, 22.5 x 15.25 x 2 inches. This painting bows outwards in a convex manner.






























Mirror, 2025. Dye, oil, and graphite on sewn linen and canvas with bowed oak, beveled pine, marble, acrylic inkjet transfer, and granite, 49 x 34.5 x 4 inches. The canvas bows outwards in a convex manner.
Side view, Mirror
Your Heart Is Not a Stone, 2025. Dye, oil, and graphite on sewn linen and polyester with marble and beveled pine, 45.5 x 33 x 1.5 inches.
Side view, Your Heart Is Not a Stone
Trace Space, 2025. Dye, oil, and graphite on sewn linen with beveled and bowed pine, 22 x 15.5 x 2 inches. The canvas bows outwards in a convex manner.
From the Steep Slope, 2025. Dye, oil, and graphite on sewn linen and polyester with bowed oak, beveled pine, and marble, 63.5 x 43.5 x 4 inches. The canvas bows outward in a convex manner.
Detail, From the Steep Slope
Installation view, Reincarnations of Painting at Praise Shadows, Brookline, MA (Dan Watkins Photography)
Installation view of Reincarnations of Painting with Tomashi Jackson and Susan Weil & José Betancourt at Praise Shadows, Brookline, MA (Dan Watkins Photography)
Installation view, Reincarnations of Painting at Praise Shadows, Brookline, MA (Dan Watkins Photography)
Silent Reader, 2025. Dye, oil, and graphite on sewn linen with beveled pine, 22.5 x 15.5 x 1 inches.
Landings, 2025. Oil, acrylic, and graphite on sewn linen with bowed and beveled pine, 23.5 x 16 x 1.5 inches. The canvas bows outward in a convex manner.
Side view, Landings
As the Crow Flies, 2025. Oil, acrylic, and graphite on linen with bowed oak and beveled pine, 43 x 49 x 4 inches. This painting bows outwards in a convex manner.
Side view, As the Crow Flies
Hour, 2025. Oil, graphite, and conte on dyed linen with bowed oak and beveled pine, 20 x 16.5 x 2 inches, 2025
Drumlin, 2025. Oil, acrylic, and graphite on dyed and sewn canvas with marble, bowed oak, and beveled pine, 68 x 41 x 3 inches. The canvas bows outwards in a convex manner.
Side view, Drumlin
Soft Fact, 2025. Oil and graphite on linen with bowed oak and beveled pine, 39.5 x 25 x 3 inches. This painting bows outwards in a convex manner.
Side view, Soft Fact
Dune, 2025. Oil and graphite on sewn linen and polyester with marble and beveled pine, 52.5 x 31 x 3 inches.
Side view/detail, Dune
New Century Turning Curve, 2025. Oil, acrylic, graphite, and dye on sewn canvas and polyester with marble, bowed oak, and beveled pine, 65 x 38 x 3 inches. This painting bows outwards in a convex manner.
Detail/side view, New Century Tuning Curve
Ear to the Ground, 2025. Oil and graphite on dyed, sewn linen with bowed oak and beveled pine, 40.5 x 49 x 3 inches. This painting bows outward in a convex manner.
Tharp Trace (II), 2025. Oil and graphite on dyed, sewn linen with marble, bowed oak, and beveled pine, 46.5 x 60 x 4 inches. This painting bows outward in a convex manner.
Side view, Tharp Trace (II)
Ochre Signal, 2025. Oil and graphite on sewn canvas with beveled pine, 58 x 38 x 1 inches.
Side view, Ochre Signal
Little Shadow, 2025. Oil, dye, bleach and graphite on canvas with beveled and bowed pine, 22.5 x 15.25 x 2 inches. This painting bows outwards in a convex manner.